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Lucas Foglia (b. 1983) is a fine art photographer who makes stories about people in nature. He received his BFA from Brown University in 2005 and MFA from Yale University in 2010. His international publications include four monographs: A Natural Order, Frontcountry, Human Nature, and Summer After. Foglia has had over 30 solo exhibitions at galleries, festivals, and museums, including Foam Fotografiemuseum Amsterdam, Les Rencontres d’Arles, Museum of Contemporary Art Denver, and Museum of Contemporary Photography Chicago. His prints and public installations are represented by Fredericks & Freiser Gallery in New York, Micamera in Milan, and Michael Hoppen Gallery in London.

 Current and Upcoming Exhibitions

2 September 2023 - 17 March 2024. San Francisco Museum of Modern Art, San Francisco, California. "Sea Change"
24 January 2024 - 6 July 2024. Sheldon Museum of Art, Lincoln, Nebraska. "Unprecedented: Art in Times of Crisis"
2 March 2024 - 31 July 2024. Addison Gallery of American Art, Andover, Massachussetts. "A Long Arc: Photography and the American South since 1845"
27 July 2024 - 3 November 2024. MUSE - Museum of Sciences of Trento, Trento, Italy. "Tocco di Montagna"
6 February 2025 - 9 May 2025. Doug Adams Gallery, Center for the Arts & Religion, Graduate Theological Union, Berkeley, California. "American Prayer"

 Solo Exhibitions

2023. Encontros da Imagem: Essay for the Future, Braga, Portugal. "American Prayer"
2021. Photoclimat Biennale, Place du Palais Royal, Paris, France. “Human Nature”
2021. Fotografia Open Milano, Milan, Italy. “Human Nature”
2018. Museum of Contemporary Photography, Chicago, Illinois. “Human Nature”
2018. Headlands Center for the Arts, Sausalito, California. “Human Nature”
2018. The Nicolaysen Art Museum, Casper, Wyoming. “Frontcountry”
2018. Foam Fotografiemuseum Amsterdam, Amsterdam, the Netherlands. “Human Nature”
2017. Fredericks & Freiser Gallery, New York, New York. “Human Nature”
2017. Micamera, Milan, Italy. “Human Nature”
2017. Michael Hoppen Contemporary, London, United Kingdom. “Human Nature”
2017. Nordic Light International Festival of Photography, Kristiansund, Norway. “Frontcountry”
2016. Cortona On The Move, Cortona, Italy. “Frontcountry”
2016. Baumwollspinnerei, Hall 12, Leipzig, Germany. “A Natural Order”
2016. Jeonju International Photography Festival, Jeonju, South Korea. “A Natural Order”
2015. Galerie Le Lieu, Lorient, France. “A Natural Order”
2015. Kunstmuseum Magdeburg, Magdeburg, Germany. “Frontcountry”
2015. Kyotographie 2015, Galerie du Jour Agnès B, Kyoto, Japan. “A Natural Order”
2014. MiCamera, Milan, Italy. “Frontcountry”
2014. Robischon Gallery, Denver, Colorado. “Frontcountry”
2014. Dutch Electronic Art Festival, Rotterdam, the Netherlands. “A Natural Order”
2014. Michael Hoppen Contemporary, London, United Kingdom. “Frontcountry”
2014. Fredericks & Freiser Gallery, New York, New York. “Frontcountry”
2013. Galerie du Jour Agnès B, Paris, France. “A Natural Order”
2013. Athens Photo Festival, Athens, Greece. “A Natural Order”
2013. Quinzaine Photographique Nantaise, Nantes, France. “A Natural Order”
2013. Blue Sky Gallery, Portland, Oregon. “A Natural Order”
2013. Museum of Contemporary Art Denver, Denver, Colorado. “A Natural Order”
2013. Belfast Exposed, Belfast, Ireland. “A Natural Order”
2012. Michael Hoppen Gallery, London, United Kingdom. “A Natural Order”
2012. Les Rencontres d’Arles, Arles, France. “A Natural Order”
2012. David Winton Bell Gallery of Brown University, Providence, Rhode Island. “A Natural Order”
2005. Providence City Hall, Providence, Rhode Island. “The Garden”

 Group Exhibitions

2023. High Museum of Art, Atlanta, Georgia. "A Long Arc: Photography and the American South since 1850"
2023. Houston Museum of Fine Arts, Houston, Texas. "A History of Photography"
2023. The Baker Museum, Naples, Florida. "Prison Nation"
2023. Cantor Arts Center at Stanford University, Stanford, California. "A Change of Scenery"
2023. de Young Museum, San Francisco, California. "Ansel Adams in Our Time"
2023. Museo Nazionale Della Montagna, Turin, Italy. "Tocco di Montagna"
2022. Columbus Museum of Art, Columbus, Ohio. “I Hear America Singing”
2022. Museum of Contemporary Photography, Chicago, Illinois. "Beyond the Frame"
2022. Cortona on the Move, Cortona, Italy. “Constant Bloom (Work in Progress Installation)”
2022. University of Maryland, Baltimore, Maryland. “Prison Nation”
2022. Milwaukee Art Museum, Milwaukee, Wisconsin. “Shifting Perspectives”
2022. Davis Museum, Wellesley College, Wellesley, Massachusetts. “Prison Nation”
2022. Centre Canadien d’Architecture, Montreal, Canada. “A New Society”
2022. Newport Art Museum, Newport, Rhode Island. "Above/Below"
2022. Oakland University Art Gallery, Detroit, Michigan. “Image and the Photographic Allusion”
2021. Harvard Art Museums, Boston, Massachusetts. “Devour the Land”
2021. Jordan National Gallery, Amman, Jordan. “Contemporary American Photography”
2021. Philadelphia Photo Arts Center, Philadelphia, Pennsylvania. “Object Lesson”
2021. Pier 24, San Francisco, California. “Looking Back: Ten Years of Pier 24 Photography”
2021. The Windgate Museum of Art, Hendrix College, Conway, Arkansas. “Southbound”
2021. Fondazione Sozzani, Milan, Italy. “Prix Pictet: Hope”
2021. Today Museum, Beijing, China. “Prix Pictet: Hope”
2021. Gallery of Photography, Dublin, Ireland. “Prix Pictet: Hope”
2021. Shanghai Centre of Photography, Shanghai, China. “Prix Pictet: Hope”
2021. Eretz Israel Museum, Tel Aviv, Israel. “Prix Pictet: Hope”
2021. Lake City Creative Alliance, Lake City, South Carolina. “Southbound”
2021. Portland Art Museum, Portland, Oregon. “Ansel Adams in Our Time”
2021. Grimaldi Forum, Monaco. “Prix Pictet: Hope”
2021. Museum of Art of Louisiana State University, Baton Rouge, Louisiana. “Southbound”
2021. Palazzo della Gran Guardia, Verona, Italy. “Prix Pictet: Hope”
2020. Le Lieu Unique, Nantes, France. “On Earth”
2020. Crystal Bridges Museum of American Art, Bentonville, Arkansas. “Ansel Adams in Our Time”
2020. Museum of Contemporary Photography, Chicago, Illinois. “What Does Democracy Look Like?”
2020. University of Maryland, Baltimore County, Maryland. “Prison Nation”
2020. EPFL ArtLab, Lausanne, Switzerland. “Prix Pictet: Hope”
2020. Foam Fotografiemuseum Amsterdam, Amsterdam, the Netherlands. “On Earth”
2020. Hunter Museum of American Art, Chattanooga, Tennessee. “Southbound”
2020. Mouravieff-Apostol House and Museum, Moscow, Russia. “Prix Pictet: Hope”
2020. LUMA Westbau, Zurich, Switzerland. “Prix Pictet: Hope”
2019. Hillside Forum, Tokyo, Japan. “Prix Pictet: Hope”
2019. Victoria and Albert Museum, London, United Kingdom. “Prix Pictet: Hope”
2019. Annenberg Space for Photography, Los Angeles, California. “W|ALLS”
2019. Gregg Museum of Art & Design, Raleigh, North Carolina. “Southbound”
2019. Power Plant Gallery of Duke University, Durham, North Carolina. “Southbound”
2019. Berkeley Art Museum, Berkeley, California. “Strange”
2019. CMC Agnès B, Paris, France. “Des Artistes et le Cardigan”
2019. Museum of Contemporary Photography, Chicago, Illinois. “Go Down Moses”
2019. Philadelphia Museum of Art, Philadelphia, Pennsylvania. “Photography and Memory”
2019. Centre Photographique Rouen Normandie, Rouen, France. “Garden”
2019. Rencontres d’Arles, Arles, France. “On Earth”
2019. Newport Art Museum, Newport, Rhode Island. “Avant Gardens”
2019. CU Art Museum, Boulder, Colorado. “Documenting Change”
2019. Fused Space, San Francisco, California. “Elements and Archetypes”
2019. Ci.CLO Bienal Fotografia, Porto, Portugal. “Stories on Earthly Survival”
2019. Philadelphia Museum of Art, Philadelphia, Pennsylvania. “Whitman, Alabama”
2019. Deutsche Börse AG, The Cube, Eschborn, Germany. “Martin Parr’s: We love photography!”
2019. Kunstmuseum Magdeburg, Magdeburg, Germany. “StoryWorks: (Hi)stories in art”
2019. Southeast Museum of Photography, Daytona Beach, Florida. “Prison Nation”
2019. Halsey Institute of Contemporary Art, Charleston, South Carolina. “Southbound”
2018. Michael Hoppen Gallery, London, United Kingdom. “America!”
2018. Museum of Fine Arts, Boston, Massachusetts. “Ansel Adams in Our Time”
2018. George Marshall Store Gallery, York, Maine. “Frontcountry”
2018. Cleveland Public Library, Cleveland, Ohio. “Prison Nation”
2018. Sheldon Museum of Art, Lincoln, Nebraska. “Approaching Landscape”
2018. Berkeley Art Museum, Berkeley, California. “Way Bay 2”
2018. Triennial of Photography, Hamburg, Germany. “Breaking Point”
2018. Aperture Gallery, New York, New York. “Prison Nation”
2018. Berkeley Art Museum, Berkeley, California. “Way Bay”
2017. Portland Art Museum, Portland, Oregon. "Recent Photography Acquisitions"
2017. Casa Saraceni for G12 Summit, Bologna, Italy. “Frontcountry”
2017. Museum of Contemporary Photography, Chicago, Illinois. “re:collection”
2017. Kunstmuseum Magdeburg, Magdeburg, Germany. “A Natural Order”
2017. G7 Summit, Savoy Hotel, Bologna, Italy. “Frontcountry”
2017. Deutsche Börse AG, The Cube, Eschborn, Germany. “Work & Leisure”
2017. Fotografia Europea Festival, Reggio Emilia, Italy. “Frontcountry”
2017. Somerset House, London, United Kingdom. “Grow-Conserve”
2015. BITUME PHOTOFEST, Gallipoli, Italy. “Rural Layers”
2015. Tokyo International Photography Festival, Toyko, Japan “Future Focus”
2015. Ray 2015 at Fotografie Forum Frankfurt, Frankfurt, Germany. “Imagine Reality”
2015. Biel/Bienne Festival of Photography, Biel/Bienne, Switzerland. “Frontcountry”
2015. Cincinnati Art Museum, Cincinnati, Ohio. “Human-Altered Landscapes”
2015. Philadelphia Museum of Art, Philadelphia, Pennsylvania. “Take One: Contemporary Photographs”
2015. FO.KU.S, Innsbruck, Austria. “Luxury of Simplicity”
2015. Beirut Exhibition Center, Beirut, Lebanon. “Open Rhapsody”
2014. Museum of the City of Munich, Munich, Germany. “Luxury of Simplicity”
2014. Buda Fabriek, Flanders, Belgium. “The Green Light District”
2014. Atelier Néerlandais, Paris, France. “Foam Talent”
2014. Victoria and Albert Museum, London, United Kingdom. “A History of Photography”
2014. Unseen Photo Fair, Billboard exhibition, Amsterdam, the Netherlands. “Foam Talent”
2014. Billboard exhibition on the Mercatorplein, Amsterdam, the Netherlands. “Foam Talent”
2013. Contemporary Arts Center New Orleans, New Orleans, Louisiana. “Unfolding Images”
2013. Gemeentemuseum Den Haag, The Hague, the Netherlands. “Photo as Figure”
2013. Light Work, Syracuse, New York. “40 Artists / 40 Years: Selections from the Light Work Collection”
2013. Addison Gallery of American Art, Andover, Massachusetts. “The Kids are all Right”
2013. International Center of Photography, New York, New York. “A Different Kind of Order: The ICP Triennial”
2013. Philadelphia Museum of Art, Philadelphia, Pennsylvania. “Family Portrait”
2013. Christophe Guye Gallery, Zurich, Switzerland. “Youth Code”
2013. Newport Art Museum, Newport, Rhode Island. “Network Artists 2012″
2013. Fotodok, Utrecht, the Netherlands. “Off the Grid: Lucas Foglia, Justine Kurland, Pavel Prokopchik”
2013. Weatherspoon Museum of Art, Greensboro, North Carolina. “The Kids are All Right”
2012. RISD Museum, Providence, Rhode Island. “America in View: Landscape Photography 1865 to Now”
2012. Gallery 339, Philadelphia, Pennsylvania. “More Photos About Buildings and Food”
2012. John Michael Kohler Arts Center, Sheboygan, Wisconsin. “The Kids are Alright”
2012. Pier 24, San Francisco, California. “About Face”
2011. Visionaris’11 Festival, Palma de Mallorca, Spain
2010. The Print Center, Philadelphia, Pennsylvania. “Stalking the Wild Asparagus”
2010. Transformer Gallery, Washington DC
2010. Eighth Veil, Los Angeles, California. “Yale MFA Photography 2010″
2010. David Weinberg Gallery, Chicago, Illinois. “Yale MFA Photography 2010″
2010. Maine Media Gallery, Rockport, Maine
2010. 25CPW, New York, New York. “Stranger than Fiction, Yale MFA Photography 2010″
2010. Green Gallery, Yale School of Art, New Haven, Connecticut. “Yale MFA Photography Thesis Show”
2009. Griffin Museum of Photography, Boston, Massachusetts. “Flash Forward 2008″
2009. Houston Center for Photography, Houston, Texas. “Human Nature”
2009. Michael Mazzeo Gallery, New York, New York. “Art Fair”
2009. Galerie Art Mur, Montreal, Canada. “Flash Forward 2008″
2009. Newport Art Museum, Newport, Rhode Island. “Net Works”
2008. Kathleen Cullen Fine Art, New York, New York. “Flash Forward 2008″
2008. Center for Photography, Woodstock, New York. “Converging Margins”
2008. Lennox Contemporary, Toronto, Canada. “Flash Forward 2008″
2008. Center for Photography, Woodstock, New York. “Photography Now”
2008. Light Factory, Charlotte, North Carolina. “Food for Thought”
2008. Look3 Festival, Charlottesville, Virginia
2008. Newport Art Museum, Newport, Rhode Island. “Recent Acquisitions”
2007. Red Ink Studios, San Francisco, California. “Picture Progress”
2007. Firehouse 13, Providence, Rhode Island. “Rhode Island State Council for the Arts Fellowship Exhibition”
2007. Hera Gallery, Wakefield, Rhode Island. “Concrete: Work from the Urban Environment”
2006. Woods-Gerry Gallery, Rhode Island School of Design, Providence, Rhode Island. “Faculty Exhibition”
2006. Roger Williams University, Bristol, Rhode Island. “Thurgood Marshall Photography Exhibition”

 Public Collections

Art Collection Deutsche Börse
Berkeley Art Museum and Pacific Film Archive
Bowdoin College Museum of Art
Cantor Arts Center at Stanford University
Cincinnati Art Museum
Cleveland Clinic’s Arts & Medicine Institute
Cleveland Museum of Art
David Winton Bell Gallery at Brown University
Denver Art Museum
Fitchburg Art Museum
Foam Fotografiemuseum Amsterdam
Harvard Art Museums
High Museum of Art
International Center of Photography
Kunstmuseum Magdeburg
Light Work
Los Angeles County Museum of Art
Milwaukee Art Museum
Museum of Contemporary Photography
Museum of Fine Arts Boston
Museum of Fine Arts Houston
New York Public Library
Philadelphia Museum of Art
Pilara Foundation
Philadelphia Museum of Art
Portland Art Museum
Rhode Island School of Design Museum of Fine Art
San Francisco Museum of Modern Art
Sheldon Museum of Art
Snite Museum of Art at University of Notre Dame
Stanford Libraries
University of Texas at Dallas
Victoria & Albert Museum
Virginia Museum of Fine Arts
Woodstock Center for Photography

 Books

Stanley/Barker, “Summer After.” Fall 2021
Nazraeli Press, “Human Nature.” Fall 2017
Nazraeli Press, “Frontcountry.” Spring 2014
Nazraeli Press, “A Natural Order.” Spring 2012

 Press

The New York Times Magazine, "The Climate Novelist Who Transcends Despair." October 6, 2022, Christine Smallwood
Aperture, "Object Lesson: On the Influence of Richard Benson." August 30, 2022
Nearest Truth, “Episode 260. Lucas Foglia.” November 1, 2021, Brad Feuerhelm
The Guardian, “The Summer After 9/11.” September 14, 2021, Mee-Lai Stone
British Journal of Photography, “Following 9/11.” September 11, 2021, Hannah Abel-Hirsch
National Public Radio, “A City's Healing.” September 11, 2021, Michele Abercrombie
The New Yorker, “Portraits from the Summer After 9/11.” September 11, 2021, Andrew Marantz
Creative Boom, “After the September 11 Attacks.” September 11, 2021, Katy Cowan
Vice, “New York's First Summer After 9/11.” September 9, 2021, Zoe Whitfield
Aperture, "Photo No-Nos: Meditations on What Not to Photograph." July, 2021, Jason Fulford
Pop Up Magazine, “Spiritual-Seekers of Sedona.” September, 2019, Lucas Foglia
Aesthetica Magazine, “Exploring Geopolitics.” July, 2019, Sarah Jilani
Bloomberg Businessweek, “How to Make Money Off Rainforests Without Cutting Them Down.” May 16, 2019, Lucas Foglia
National Geographic, “Beekeepers Hit Hard by Thefts of Hives.” May 3, 2019, Rene Ebersole
Bloomberg Markets, “Happy State Bank” April 6, 2019, Lucas Foglia
The New York Times Magazine, “Water Wars of Arizona.” July 19, 2018, Noah Gallagher Shannon
Musee Magazine, “Book Review: Human Nature.” October 26, 2018, Claudia Shaldervan
Aperture Magazine, “Prison Nation.” March, 2018, Jordan Kisner
LensCulture, “Human Nature.” January 8, 2018
Collector Daily, “Lucas Foglia, Human Nature @Fredericks & Freiser.” January 8, 2018, Loring Knoblauch
Artforum, “500 Words: Lucas Foglia.” January 2, 2018, Brian Sholis
Vrij Nederland, “No Place on Earth is Unaffected by Man.” January 2018, Jenny Smets
GUP, “Human Nature.” December 20, 2017
Financial Times, “Snapshot: ‘Human Nature’.” December 16, 2017, Emma Bowkett
LensCulture, “Critically Acclaimed: 75 Experts Name the Top Photobooks of 2017.” December 14, 2017
The New York Times, “The Scientists Who Track Climate Change in the Field.” December 11, 2017, Jordan G. Teicher
Wired Magazine, “The Facilities Where Scientists Breed Plants to Survive the Future.” December 2017, Ruby Goldberg
Peace News, “Human Nature.” December 2017, Gabriel Carlyle
National Geographic Traveler, “Singapore.” December 2017, Anne Farrar
IMA, “Human Nature.” December, 2017
Harper’s Magazine, “Wildfire.” December, 2017, Stacey D. Clarkson
Blow Photo, “Breaking Point.” December, 2017, Monika Chmielarz
Amica, “Only Human.” December 2017, Renata Ferri
Wired, “The Uneasy Relationship between Humans and Nature.” November 28, 2017, Laura Mallonee
Mother Jones, “Human Nature.” November 25, 2017, Mark Murrmann
Vice, “Photos to Remind You to Go Outside This Weekend.” November 24, 2017, Bruno Bayley
National Geographic, “Our Deep, Ever-Weirder Relationship With Nature.” November 21, 2017, Alexa Keefe
The New Yorker, “Our Ever-weirder Relationship to Nature.” November 14, 2017, Robert Moor
De Standaard, “Human Nature.” October 28, 2017, Jan Desloover
PDN, “Human Nature.” October 12, 2017, Pete Brook
British Journal of Photography, “Lucas Foglia’s Cool Look at the Anthropocene.” October 12, 2017, Erik Vroons
The Guardian, “Into the Wild.” October 10, 2017, Sean O’Hagan
Fast Company, “Our Increasingly Complicated Relationship with Nature.” October 5, 2017, Eillie Anzilotti
GDF, “Human Nature.” October, 2017
City A.M., “Human Nature.” October 4, 2017, Alex Dymoke
California Sunday Magazine, “A Crack in the Surface.” September 27, 2017, Lucas Foglia
Vogue Italia, “Human Nature.” September 20, 2017, Chiara Bardelli Nonino
New Scientist, “Our Natural World.” September 13, 2017, Andy Coghlan
Self Publish Be Happy, “Human Nature.” September 10, 2017, Bruno Cescel
Outside Magazine, “Humans and Nature: It’s Complicated.” September, 2017
Pop-Up Magazine at The Town Hall NYC, “History of a Boom Town.” June 9, 2017
Bloomberg Businessweek, “Reno Looks Like Silicon Valley.” June 26, 2017, Karen Weise
Sierra, “Climate-Change-Resilient Agriculture.” March, 2017, Jason Mark
Outside, “Our Lady of Strays.” March, 2017, Bob Shacochis
Foam Magazine #44, “On Earth.” May, 2016
The New York Times Magazine, May 12, 2016, Melanie Thernstrom
Fast Company, “Everlane.” March, 2016
Gestalten, “Evergreen: Living with Plants.” 2016
The Chazan Collection at the RISD Museum. 2016
Bloomberg Businessweek, “American Olive Oil.” January 31, 2016, Peter Robison
National Geographic Magazine, “This is Your Brain on Nature” January, 2016, Florence Williams
Tell Mum Everything is OK. November, 2015
The New York Times, “Changing Landscape of the American West.” September 22, 2015, Rena Silverman
The Guardian, “Best Shot.” September 17, 2015, Jenny Stevens
California Sunday Magazine, “Big Springs Ranch.” September, 2015, Lucas Foglia
Heavy, “Volume One.” Winter, 2015, Olan Clifford Teel
PDN, “How I Got That Grant.” May, 2015, Edgar Allen Beem
New Farmers Almanac. 2015, Greenhorns
Foam Magazine #39, “Talent.” September, 2014, Lyle Rexer
Printed Pages, “Big Skies, Small Communities.” Fall, 2014, Madeleine Morley
Annenberg Space for Photography, “COUNTRY: Portraits Of An American Sound.” September 25, 2014
Pop-Up Magazine Dinner, “Shutter Diplomacy.” September 24, 2014
Eleytherotypia Newspaper, “Photographer of the ‘Wild West.’” June 29, 2014
M Le Magazine du Monde, “Les Mirages de l’Ouest.” June 28, 2014, Cathy Remy
6mois, “A Journey Through the American West.” June 10, 2014, Victoria Scoffier
High Country News, “How mining transforms the West’s ranching communities.” June 9, 2014, Sarah Gilman
Aperture, “The Photographer’s Playbook.” June, 2014, Jason Fulford and Gregory Halpern
NPR, “‘Frontcountry’ Wanders Through a Changing American West.” May 26, 2014, Chris Benderev
PDN, “Out West.” May 16, 2014, Conor Risch
Vice, “Mossless in America.” May 13, 2014
The Wild Magazine, “Off the Beaten Path.” May 6, 2014, Bianca Ozeri
Neue Zürcher Zeitung, “Photo-Tableau: ‘Frontcountry.’” May, 2014
The New Yorker, “Lucas Foglia.” April 21, 2014, Vince Alletti
Blouin ARTINFO, “5 Must-See Gallery Shows in New York.” April 17, 2014
The Morning News, “Frontcountry.” April 14, 2014, Rosecrans Baldwin
L’Oeil de la Photographie, “London & New York: Lucas Foglia, Frontcountry.” April 14, 2014
Rangefinder, “Editor’s Pick: Lucas Foglia’s Frontcountry.” April 8, 2014, Jessica Gordon
Collector Daily, “Lucas Foglia, Frontcountry at Fredericks & Freiser.” April 8, 2014, Loring Knoblauch
The Telegraph, “Viewfinder.” April 5, 2014
Our Age is Thirteen, “Book: Frontcountry, Lucas Foglia.” April 4, 2014, Carole Coen
Daily Mail, “The Last Frontier Lands of the American West.” April 3, 2014
Time Out, “Frontcountry.” April 3, 2014, Chris Waywell
Londonist, “Photographs of the American West.” April 2, 2014, Tabish Khan
Vice, Interview. April 2, 2014, Bruno Bayley
The Guardian, “Call of the Wild: Photographer Lucas Foglia in the American West.” April 1, 2014, Sean O’Hagan
Sunset Magazine, “Oak Land.” April, 2014, Bill Marken
Art Daily, “Exhibition of photographs by Lucas Foglia on view at Michael Hoppen Gallery.” March 31, 2014
The New York Times, “The View From Here.” March 30, 2014
City A.M. Bespoke, “Mine Field.” March 28, 2014, Alex Dymoke
Wallpaper*, “‘Frontcountry’: Lucas Foglia Captures the American Heartlands.” March 28, 2014, Jonathan Bell
British Journal of Photography, “New Frontiers.” March 24, 2014
CNN, “Boom and Bust in the American West.” March 23, 2014, Thom Patterson
Vrij Nederland, “Mythisch Amerika.” March 21, 2014, Sander Donkers
Libération, “The Underside of the American West.” March 21, 2014
Financial Times, “Lucas Foglia’s New Wild West.” March 21, 2014, Liz Jobey
Photo-Eye, “Interview: Lucas Foglia on Frontcountry.” March 11, 2014, Daniel Shea
Nevada Public Radio (KNPR), “Lucas Foglia Captures the Mining Boom in the American West.” March 10, 2014
Hotshoe International, “Lucas Foglia: Frontcountry.” March, 2014
Harper’s Magazine, “Hot Air Balloon Wedding Ceremony, Taos, New Mexico.” March, 2014, Lucas Foglia
Fast Company, “Inside the American West’s Mining Boom.” February 25, 2014
Slate.com, “Documenting the Mining Boom in the American West.” February 18, 2014, David Rosenberg
PetaPixel, “A Modern-Day Mining Boom: Interview with Lucas Foglia.” February 5, 2014, Gregory Jones
The New Yorker, “Back to the Frontcountry.” January 29, 2014, Genevieve Fussell
Snoecks, A Natural Order feature. October, 2013
The New York Times, The Listings. August 23, 2013, Holland Cotter
The New Yorker, “A Different Kind of Order: The ICP Triennial.” April 11, 2013, Jessie Wender
Ça M interesse, “A Natural Order.” March, 2013
Abe’s Penny, “A Natural Order.” Spring, 2013, Laurel Foglia
Night of Photography, The Museum of Fine Art of la Chaux-de-Fonds, “A Natural Order.” February 16, 2013
BBC Radio, Ulster, Arts Extra, “A Natural Order.” January 18, 2013
La Cité, “A Natural Order.” January, 2013, Albertine Bourget
Slate.com, “A Natural Order.” December 10, 2012, David Rosenberg
The Art Newspaper, “Paris Photo 2012.” November 19, 2012
Wall Street International, “A Natural Order,” November, 2012
Vrij Nederland, “A Natural Order.” November 10, 2012
The Germans, “Patrick and Anakeesta, Tennessee.” November, 2012
Modern Weekly China, “Paris Photo.” November, 2012
Hohe Luft, “A Natural Order.” November, 2012, Robin Droemer
Huffington Post, “Lucas Foglia’s ‘A Natural Order’ Invites Viewers To Reflect On The Simple Life.” October 12, 2012
Revue XXI, “Les Robinsons d’Amérique.” October 3, 2012, Léna Mauger
De Standaard, A Natural Order feature. October, 2012, Jan Desloover
Modern Weekly China, “A Natural Order.” September, 2012
Aperture Magazine, “Picture Utopia.” Fall, 2012, Chris Jennings
ZYZZYVA, West Coast Writers and Artists Literary Journal, “Frontcountry.” Fall, 2012
Aperture, “PhotoBook Awards Shortlist.” Fall, 2012
British Journal of Photography, “A Natural Order.” August, 2012, Colin Pantall
The Guardian, “A Natural Order.” July 13, 2012, Sean O’Hagan
de Volkskrant, “A Natural Order.” July 7, 2012
Sunday Times Magazine, “A Natural Order.” June 24, 2012
Time Magazine Lightbox, “A Natural Order.” June 15, 2012, Joanna Lehan
The Independent, “A Natural Order.” June 10, 2012, Adam Jacques
Hotshoe International, “Lucas Foglia: A Natural Order.” June, 2012, Sophie Balhetchet
Der Freitag. “A Natural Order”. June, 2012
GUP#33, “A Natural Order.” May, 2012
American Photo Magazine, “A Natural Order.” May, 2012
Pop-Up Magazine, “Issue 6: History of a Boom Town.” April 25, 2012
New Directions Press, “Core Samples from the World.” Fall, 2011, Forrest Gander
Longshot Magazine #02, “A Natural Order.” July, 2011
Wallpaper* Magazine, “Next Generation, Graduate Directory 2011.” January, 2011
Aperture Magazine, “Re-Wilding, Moving Off the Grid in America.” Fall, 2010
Lyric Poetry Review, “Moving Around For the Light.” Spring, 2009, Forrest Gander
Photography Quarterly, “Issue 98: Converging Margins.” Spring, 2009, Leah Oates
Artforum, “Critics Picks: Human Nature.” Spring, 2009, Sean Carroll
Photo District News, “PDN’s 30, Emerging Photographers to Watch.” March, 2009, Holly Hughes
Utne Reader, “Way Off the Grid.” March, 2009, Joseph Hart
Magenta Foundation, “Flash Forward 2008: Emerging Photographers.” 2008
Contact Sheet 147, “The Light Work Annual 2008.” September 5, 2008, Ariel Shanberg
Donna di La Repubblica, “Il Nostro Orto Antirecessione.” July, 19 2008, Francesca Gentile
Washington Post Magazine, “Splendid Isolation.” July 13, 2008, Cheryl Strayed
British Journal of Photography, “Tomorrow’s People.” June 28, 2008

 Awards

2019. Prix Pictet, Shortlist
2018. Headlands Center for the Arts, Artist in Residence
2014. Individual Photographer’s Fellowship, Aaron Siskind Foundation
2014. Foam Talent
2012. Paris Photo – Aperture Foundation Photobook Award, Shortlist
2010. Yale School of Art, Norman Joondeph Prize, juried by Robert Storr
2009. Photo District News, PDN 30
2008. Magenta Foundation, Flash Forward
2008. Center for Photography at Woodstock, Photography Now
2007. Light Work, Artist in Residence
2006. Rhode Island State Council on the Arts, Aaron Siskind Fellowship in Photography
2005. Brown University Art Semiotics Honors Award
2004. Brown/RISD Collaboration Grant

 Education

2010. Yale University, New Haven, Connecticut. MFA in Photography
2005. Brown University, Providence, Rhode Island. BA in Art Semiotics

 Teaching

2021. California College of the Arts, Adjunct Professor
2011-2018. San Francisco Art Institute, Lecturer

 Artist Talks and Workshops

Brown University
California College of the Arts
Cincinnati Art Museum
Columbus Museum of Art
Eastern Tennessee State University
FotoFilmic
Hartford Art School
International Center of Photography
Micamera
National Geographic Seminar
New York State College of Ceramics
Ohio State University
Oxbow School
Parsons
Rochester Institute of Technology
Royal College of Art
Salt Institute
San Francisco Art Institute
School of Visual Arts
Syracuse University
University of Cincinnati
University of California Berkeley
University of Oregon
University of Texas at Dallas